I've spent the last year with another guy in the UK figuring out how to turn a Mark III into a Mark IIC+. What Pedals are You Running for Your MKIIB? Wrong place, try here instead - The Gear Page. My first amp was a Mark III combo, which, if I am not mistaken, had a 60/100 watt switch on the back. Standard My "loaded" purple stripe. However, the loop was placed between two critical gain stages, and tended to overdrive some instrument level effects, and also caused volume pedals to act as remote gain controls for the lead mode. Some owners/dealers/sellers say the "+" refers to an amp having an EQ, but they are mistaken. Edited once, last by Thumas (Sep 3rd 2013). In this file there is three files named x x2 x3 and those are very similar to each other, only difference is really small adjustments on 750 slider.Those profiles are with settings found from Flemming rasmussens notes from master of puppets recording, you can find his notes here http://www.fwrproduction.com/FWR_Produktion/FWR.htmlKeep in mind that this will not sound spot on, differance speakers and so on, but feel free to try them. It doesn't say it in the manual, but pulling R2 while in the Lead channel will give you a slight boost in gain. The combo is a similar size to the Mark I combo. SOB chassis were shared with other heads, but had different front and rear plates. Add your business, list your Mesa Boogie Mark Five 25 - 1x10" Guitar Combo STACK w/matching extension. So a Red stripe could have any of the 3 variations. Have one to sell? Early Black Stripes retained the same power transformer as the IIC+, which is easily distinguished by its larger physical size than the later-introduced Mark III transformer. The Mark IIC+ is currently the most coveted vintage Boogie, selling for twice its original price on average, because of its much praised "Liquid Lead" mode, and also its warm, clean rhythm mode. The IIC+ also had an improved effects loop. Avoid scams, deal locally It was not referred to as the "Mark IIA" until the Mark IIB was issued. He say's too much dialing in for him and that's why he wants to part with it. 2/24 Mesa Boogie Mark III Blue Stripe Simul-Class. : tried as well your soldano profiles, and they are too top notch . On this Wikipedia the language links are at the top of the page across from the article title. Tell the BeerMenus community! Hmmm I like the sound of not being able to hide behind an amp when playing! TieDyedDevil, thanks for responding. The boogie amps are built like tanks and are built to last. I have one of the early black stripe, non simulclass, 60 watt combos with the over sized MkIIc+ power transformer, EV 12L speaker, reverb and GEQ. Sell more beer: print menus designed to help your customers choose beers. - Green Stripe (1989): The final revision was the "Green Stripe" Mark III, which was only available in a Simul-Class format. Free shipping on many items | Browse your favorite brands | affordable prices. [citation needed] The Mark IIA's control panel was extended from the Mark I's to include a separate master volume control for the lead mode, and various push/pull switches including Pull Bright, Pull Treble Shift, Pull Gain Boost, a separate Pull Bright for the lead mode, and of course, Pull Lead. $2,200.00 + $200.00 shipping. Have two other Mark III amps and just have to pay off some other things. Unlike earlier Mark II models, pedals configured for instrument-level input signal could be used without the amp's signal overloading their inputs. He got it wrong, since both sounded nearly identical. Nco se pokazilo. Nice man.that was my Fave Mark series as well. I just want to make note of the fact that speaker and cabinet selection makes a huge impact on tone, always. And it has no trouble keeping up with another player with a half stack and/or a loud drummer, with plenty of punch to spare. Thank you guys for giving me your opinions. Some of the older MK IIIs with the stripe (it looks like a sharpie stripe) are highly sought after amps and command high dollars. The red stripe was noticeably darker/ less highs, not as aggressive, and less gain. Scraping the maple cap on my 2021 Tribute. Most Successful Signature Guitar Of All Time? It may not display this or other websites correctly. Well some other day seems to be today Hera are the Funk - Articulate Singing Lead setting.https://dl.dropboxusercontent.com/u/17807903/Funk.zip, First one is with presence set at 2.5File 2 is with presence at 7 (as in pdf ), Gerald Massoishttp://mark2cplusprofiled.jimdo.com/ (MARKIIC+ packs & Acoustic simulator Packs)http://geraldmassois.com/. The two rhythm modes share all of their controls, while the lead mode only shares the rhythm modes' tone stack, featuring independent gain and master volume controls. Mark IIIs contain either four or five 12AX7 tubes in the pre-amp section, depending on if they have the reverb option. There were two versions of this amp. I wanted a blue or red stripe due to them being the most aggressive of all the stripes IIRC. Mark III's were still in steady production around 1994, and finally ceased as late as 1997, 11 years after its launch. The amplifier was voiced so bright, it is considered to be the most aggressive Mark Series Boogie ever introduced. It also features two separate graphic EQs, which can be selected for each channel via mini toggles on each channel's front panel. A Mark IIC+ could, for example, refer to a 100 watt amp without EQ or reverb. It is a smaller, two-channel version of the Mark V. The output section contains two EL84 tubes which can be switched between 10 and 25 Watts. And you sound wrong about a lot in this thread and the other "I hate C+" thread you have on here. It is a 3-channel 100-watt "revival" of the Mesa Mark IIC+ designed in part with Dream Theater guitarist John Petrucci, who is well-known for using a Mark IIC+ in the studio. If you're trying to do a III+ you'd want a 1000pf cap in there (at least accordign to Mike B's mod). It is also available as a combo and a head. I'd love a clean and a crunchy profile of the Mark III since those boogies can shine in this registery , also do you have a single coil guitar (tele or strat ) to make a matching low gain profile ? 12 Factory C+s with switchable ++ are known to exist, before this idea was used in the Mark III, with the ++ being developed further to become the R2 channel on the III. WebMesa Boogie Mark III 1x12 100W Combo Amp (1985) Cover - Black by Tuki (mesa137p) Opens in a new window or tab. The red stripe was noticeably darker/ less highs, not as aggressive, and less gain. The reverb modification involved resistor swaps and a change in ground lead placement. :shock: What are you talking about ? In a simul-class amp, running all four tubes generates approximately 75 watts RMS of power; running only the class A tubes produces about 15 watts. About Blog Contact Us Mark III Footswitches. The three channels are based upon the original channels of the Mark IIC+, but with two high gain channels based on the IIC+'s lead channel. Mark IIIs were still in steady production around 1994, and finally ceased as late as 1997, 11 years after their launch. It was identical to the Blue Stripe, apart from having its overall gain reduced, except for the wiring of the outer two Class A power amp tubes which were switched to Pentode operation instead of Triode for a 10w RMS increase over previous Simul-Class amplifiers (15w/75w) making 25w/85w. Vintage Amps The amplifier had lead mode circuitry almost identical to the IIC+ and some minor changes in the preamp to make it similar in circuitry to a IIC+. The Mark IIA was a great improvement over the Mark I, however it had a few major flaws that it received criticism for among collectors. $1,484.99. Black, red, green, blue, etc. It has three distinct channels, each with their own pre-gain three band tone stack, gain, master, and presence controls. The JP-2C was introduced in 2016. Something to do with the transformer ? The Mark III was launched by Mesa/Boogie in 1985. These amps had a point-to-point wired power section and had large transformers with great headroom. It is also the first Mesa amp to feature MIDI connections, which can control the channel switching, as well as controlling the FX loop and graphic EQs. . I got a chance to play my blue stripe next to a red stripe into the same cab a couple weeks ago. I have a purple stripe Mark III (60W, no EQ, no REV) that was modded to III+ @ Mesa with R2 mod as well. Towards 1986, a new PCB revision was installed which enabled an additional component to be switched on when R2 was activated. Spanish Town, Kingston. Im a biug boogie fan too, i must profile my 4, when i get chance i need to go throiugh your notes from here and arrange them! http://homepage.mac.com/mesaboogie/dot.html. I feel like I don't have a clear understanding of the difference between instrument level/line level and how the Boogie loops are set up. The Mark IIC finally remedied the two major problems of the IIA and the IIB: the previously noisy reverb circuit and a footswitching system that produced a popping noise when activated. I wanted a Red Stripe for a bit. Save timeautomatically create your print menu with one click. Similar to the Express and F-series amplifiers, the graphic EQ also had channel-assignable contour knobs. Mesa Mk3 57M and Mesa Mk3 57E are some of the best metal profiles i've heared! This site uses cookies. You are using an out of date browser. Both had the same options but the red stripe had 2 6l6's and 2 el34's, all mesa's, where mine has 4 winged c 6l6's. its sweet that you found those settings!!! Mesa Boogie Mark III (3) Guitar Amp VGC. I gave a shot to the last ones with my strat and they sound fat ! On wikipedia there is a short story about mark III variations : Purple StripeThe second revision was the "Purple Stripe" Mark III, which featured a purple marker stripe above the power cord. Great score! The fourth revision was the "Blue Stripe" Mark III which featured a blue marker stripe above the power cord. Always wanted one, for that Whitesnake, Metallica, heavy 80's mark sound and finally picked this up to add to my Mesa collection. Mark IVs built from the start of production until about September 1993 are referred to as version A; amplifiers made from late 1993 until the end of production in 2008 are known as version B. Waraba, the settings used was not far of from that settings in mesa manual, on my profile treble was set at 6.5 bass 2 mid 5 but i did not have the bass knob pulled,also presence was set at 2.5 (don't understand mesas recommended presence settings, sounds way harsh to my ears). The fourth revision was the "Blue Stripe" Mark III which featured a blue marker stripe above the power cord. You are using an out of date browser.
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